Illuminati Symbols in Popular Music

Introduction

The concept of the Illuminati has long fascinated the public, often intertwined with conspiracy theories and secret societies. In recent years, Hollywood has been a focal point for discussions surrounding alleged Illuminati rituals. This article explores the historical context of the Illuminati, its connection to Hollywood, and the themes that emerge in popular culture.

Content Index

1. Introduction
2. Historical Context of the Illuminati
3. The Connection Between Hollywood and the Illuminati
4. Common Themes in Alleged Illuminati Rituals
5. Notable Figures and Their Alleged Involvement 6. Analysis of Popular Culture References
6. Conclusion
7. References

Historical Context of the Illuminati

• Origins: The term “Illuminati” originally referred to a group founded in 1776 by Adam Weishaupt in Bavaria, aiming to promote Enlightenment ideals and rational thought.
• Disbandment: The group was disbanded in 1785, but its legacy continued through various conspiracy theories that attributed significant historical events to its influence.

The Connection Between Hollywood and the Illuminati

• Cultural Influence: Hollywood, as a major cultural hub, has been accused of promoting Illuminati symbolism and rituals through films, music, and celebrity behavior.
• Secret Societies: Many believe that influential figures in Hollywood are part of secret societies that perpetuate the ideals of the Illuminati.

Common Themes in Alleged Illuminati Rituals

• Symbolism: Common symbols associated with the Illuminati include the All-Seeing Eye, pyramids, and occult imagery.
• Rituals: Alleged rituals often involve themes of power, control, and the manipulation of public perception.

Notable Figures and Their Alleged Involvement

• Celebrities: Various celebrities, such as Jay-Z, Beyoncé, and Lady Gaga, have been accused of having ties to the Illuminati, often through their music videos and public appearances.
• Direct Allegations: Some individuals claim that these figures participate in rituals to gain fame and success.

Analysis of Popular Culture References

• Films and Television: Movies like “Eyes Wide Shut” and series such as “American Horror Story” often reference Illuminati themes, contributing to the public’s fascination.
• Music Videos: Many artists incorporate Illuminati symbolism in their music videos, leading to speculation about their affiliations.

Satanic Ritual Abuse: Historical Context Is ritual abuse a new phenomenon? Some supporters of the existence of ritual abuse believe that it existed long before 1980. Indeed, Satanic ritual abuse is discussed in the Old Testament. While the Old Testament is considered a book of scripture for Christians, Jews, and Muslims, it is also rendered a book of historical record by many scholars. One of the first references to ritual abuse is found in Leviticus when the Lord makes it clear that the Israelites just coming out of Egypt are to turn to the Lord and not to familiar spirits or wizards who practice sorcery and necromancy, (King James Version, 1979, Leviticus 19:31). Necromancy, in particular, holds significance when discussing Satanic ritual abuse because it was known to the Israelites as a practice of black magic or witchcraft involving making marks upon dead bodies and also the calling upon dead relatives in a ritual to seek for information, knowledge, or to divine the future, (Elwell, 1997). The punishment for practising necromancy according to Mosaic law was excommunication, and the practice for being a necromancer was the death penalty, (King James Version, 1979, Leviticus 20:6; Leviticus 20:27). Once the Israelites were out of Egypt and as they developed into their own independent nation, the pagan religions that practiced these dark rituals and even darker rituals surrounded them on every side in such countries as Moab, Phoenicia, Mesopotamia, Canaan, Syria, Assyria, and others. The worship involving these rituals also involved many gods such as Baal, Baalim, Molech, Milcom, Ashtoreth, and Asheriim. From the frequent admonitions and warnings from 11 God about abstaining from these practices it would seem Israel could not keep away from them. The following are some examples: There shall not be found among you anyone that maketh his son or daughter to pass through the fire, or that useth divination, or is an observer of the times, or an enchanter, or a witch, or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer, (King James Version, 1979, Deuteronomy 18: 9–12). And when they shall say unto you, Seek unto them that have familiar spirits, and unto wizards that peep, and that mutter: should not a people seek unto their God? For the living to the dead, (King James Version, 1979, Isaiah 8:19)? And he (Manasseh) did evil in the sight of the Lord, after the abominations of the heathen, whom the Lord cast out before the children of Israel. For he built up the high places which Hezekiah his father had destroyed; and he reared up alters for Baal, and made a grove… And he made his son pass through the fire, and observed the times, and used enchantments, and dealt with familiar spirits and wizards… , (King James Version, 1979, 2 Kings 20: 2, 3, and 6). In 2 Kings 23, in describing how Josiah got rid of all the supports and items of “idol worship” and how he also tore down the places in which those ceremonies and rituals took place, the writers reference the practices of sacrificing their children by fire, of ritual sodomy of men, boys, and children, and of eating the blood, (King Kames Version, 1979, 2 Kings 23). Although 12 the groups practicing these rituals were seen as influences from the countries surrounding the Israelites at the time, it was made clear to the Israelites that God considered the religions and pagan practices of the Moabites, the Phonecians, and other countries to be not only an abomination, but also originating from the “evil one” himself and were, therefore, Satanic rituals. The concepts and doctrine found in the Old Testament become relevant to the explosion of events that happened in the 1980s because much of the fear and panic generated from the news stories and the autobiographical accounts of this extreme form of abuse was attributed to Christian groups who saw these events as purely Satanic and emphatically labeled the extreme abuse as “Satanic ritual abuse”, (King James Version, 1979; Andrade & Redondo, 2019). Were stories of historical ritual abuse confined to ancient biblical times? Many supporters of the existence of ritual abuse say it was found throughout the ages, located everywhere, and found in a variety of religions and cultures, (Noblitt, J. R., & Noblitt, P. P., 2014). David Frankfurter, a world religion and history researcher, gave compelling evidence of a consistent thread of ritual abuse narratives throughout history in his book Evil Incarnate Rumors of Demonic Conspiracy and Satanic Abuse in History, (Frankfurter, 2008) While he documents the consistent thread of ritual abuse through time, he attributes the narrative to anthropological constructs of “otherness” in cultures and scapegoating minority cultures within a larger society instead of these narratives pointing toward actual events, (Frankfurter, 2008). The elements of ritual abuse such as cannibalism, sexual perversion, sexual abuse and eating of children, blood sacrifices, the drinking and eating of blood are found in second century accounts from Christian, Jewish, and Zorastrian sources, (Frakfurter, 2008). An example from a 17th century patient’s recollections of evil rites is remarkably similar to the autobiographies published in the 1980s and 1990s: 13 [The Christians, it is said,] actually reverence the genitalia of their director and high priest, and adore his organs as parent of their being.… Details of the initiation of the neophytes are revolting as they are notorious. An infant, cased in dough to deceive the unsuspecting, is placed beside the person to be initiated. The novice is thereupon induced to inflict what seem to be harmless blows upon the dough, and unintentionally the infant is killed by his unsuspecting blows; the blood — oh, horrible — they lap up greedily; the limbs they tear to pieces eagerly; and over the victim they make league and covenant, and by complicity in guilt pledge themselves to mutual silence. Such sacred rites are more foul than any sacrilege. After [the priest of the witches’ Sabbat] has renounced his Creator, after having denied Him and having watched a host of others follow his example, after having frolicked, dancing obscenely and impudently, after having eaten at their festivities the heart of some unbaptised baby stewed in violence, after a hundred thousand impudent, sodomitic, and devilish copulations, … after having flayed a mass of toads to make and sell poison and infected powders to destroy both men and harvests, he then added as the final act of abomination the mockery of the most revered and precious Sacrament that God gave to men to gain salvation. The ceremonies had a congregation area facing a stage with an altar. There was a procession down the main aisle from the back of the arena to the stage area. This procession included the leaders of the cult, several adult women and children all dressed in a variety of robes depending on their level of command. Once all were on stage, the 14 ceremony began, There was a service with chanting, the playing of drums in a beat of changing rhythms, and the chief leader speaking and chanting. There was a door on the back right side of the stone structure where children entered the stage. During the ceremony children were to drink a drug-induced [sic] liquid from a large cup as part of the service. The service continued to increase in intensity always resulting in the sexual molestation of children on the altar and during some ceremonies the killing of those children. …. During the services that were held outdoors in isolated mountain camps the cult used torches and large bonfires to light the area. Fire was considered a special expression of their religion and used to frighten the children by human sacrifices, burning adults and children on large crosses, (Frankfurter, 2008)

Conclusion

The connection between Hollywood and the Illuminati remains a topic of intrigue and speculation. While many of the claims surrounding Illuminati rituals may be exaggerated or unfounded, the cultural impact of these theories continues to resonate in popular media. Understanding the historical context and the themes that emerge can provide insight into why these narratives persist.